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Re: "Kerning?" (fwd)
- Subject: Re: "Kerning?" (fwd)
- From: "..." adpf@xxxxxxxx
- Date: Wed, 19 Feb 1997 16:04:51 -0500 (EST)
Robert--Dick Weltz is *quick*. --a
==================================== adpFisher nyc
Forwarded message:
From: DickWeltz@xxxxxxxx
Date: Wed, 19 Feb 1997 15:42:37 -0500 (EST)
Subject: Re: "Kerning?" (fwd)
>> May be. I remember many pigeonholes in the composer's lettercase
that contained only multi-character types. Some pieces may have been
just interlocked. Most looked like they were cast that way. The ligatures,
like ij (which in English evolved into "y" with diaeresis, then just
monosyllabic y) and ffi, were almost certainly cast. <<
Yes, the f-ligatures were cast, but definitely NOT other combinations
such as WA, YA, To, etc., although some of these were available as special
linecasting matrices.
I never recall seeing ij cast together as part of a normal font sold
in America, but it is likely that kerning the two (especially in
photocomposition days) caused the compterniks who designed the ASCII
character set to imagine that there really is such a character as a y
with dieresis (no such animal in any modern language).
-- Dick Weltz, Spectrum Multilanguage Communications, NYC
North America's Leading Translators
And Foreign Language Typesetters
e-mail:
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